A discussion on why agamemnons death was inevitable

Then she speaks of the one who plots revenge for these deeds, and refers to him as cowardly and an adulterer. What is clear is that Cassandra is peering into the world of the curse.

Finally, Cassandra is the one person in the play who accepts her fate and goes to meet it bravely. To hold a trial against Agamemnon, a trial like those found in fifth century Athens, would not adequately bring her daughter justice.

As a result of this warning, Odysseus takes great care, in his arrival home, not to fall into any such traps, but the audience also knows that his wife, Penelope, is doing all she can to ward off her suitors and to keep herself and the household intact for Odysseus.

What role does Aegisthus play. An answer to this question must take into account evidence on both sides of the issue.

As for the sacrifice of Iphigeneia, no one questions that the war against Troy is a just war, since the city by sheltering Paris and Helen shares the guilt of the violation of the sacred bond between guest and host.

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They report him as having felt to the full the horror of killing his daughter, yet as faced with a whole army demanding that the sacrifice be made, and as recognizing that their demand is a rightful one.

The Chorus, even though they are ready to criticize the king when they feel he deserves it, also clearly feel both love and loyalty to him. Some have criticized him for yielding to Clytemnestra in walking on the precious tapestries, but surely that criticism is too harsh.

In analyzing these sections of the text, a knowledge of the Greek religious imagination is necessary. Clytaemnestra hopes vengeance will visit Agamemnon in the beyond just like it has in waking life.

When Cassandra calls on Orestes to avenge not only Agamemnon but her wretched self, the audience must feel some sympathy with that call. The House is fated to fall with the death of Agamemnon. The limitations are clear in the way they underrate Clytemnestra.

She is convinced of her own righteousness, freely confessing to the crime and showing no signs of guilt, and Agamemnon, arrogant and foolish, certainly is not a sympathetic victim. The first law court is established in a celebration of an Athenian democratic institution. He must have ruled well before the war, or the simple fact that he is the rightful king would not have generated such good will.

Moreover, she is proud that her much brooded-over plan has come to perfect fruition. To her, the decision to kill Agamemnon is a simple one.

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However, it is hard to make such a claim based on so little evidence, for all we have to go off of is the text itself.

This has led to his sacrifice of Iphigeneia, his daughter. What emerges at the happy ending of the poem is the successful household, one which has avoided the folly and fate of the failed household of Agamemnon.

All these factors together make it possible for a modern audience to feel that, whatever Aeschylus does to shift our sympathy away from Clytemnestra, we understand her and forgive her.

As for his entrusting Cassandra to her with the request that she be kind, the right of a man to take concubines was not questioned at that time, and he was no more unreasonable than every other man in expecting his wife to accept the presence of a concubine.

Aeschylus, even though he probably did not sympathize with her as much as a modern audience would, still does her far more justice, and gives us a sympathetic enough portrayal that it is even possible to have more sympathy with Clytemnestra than Agamemnon, whatever Aeschylus intended.

Make the best case you can for Clytemnestra. She has been constructing the perfect plan over the last ten years to murder Agamemnon. Aegisthus reminds us that the curse a deep, troubling reality for Agamemnon and his House. These three reasons are the major motives behind the crime itself, and these reasons also enrich our understanding upon how such a tragedy could commence in the first place.

Only direct, blunt justice can serve her daughter right. In the early part of the play, it is Clytemnestra who sympathizes with the common soldiers who, now that Troy is taken, will finally be able to eat their fill and sleep peacefully in beds, with no watch set.

His punishment of Aegisthus remains a morally uncomplicated act of justice against a man who violated his household and murdered his father.

The horror they feel at what Clytemnestra has done deepens the sense that she has overturned the proper order of the world, and the courage with which they stand up to Aegisthus, all the more remarkable because their age and frailty has been so emphasized, suggest the way the city as a whole will oppose and suffer from this tyrant.

Agamemnon: Essay Q&A

Note in particular that Aegisthus, not Clytemnestra, is named here as the murderer of Agamemnon. It surely was real, but we do not see enough of it manifested in the play itself for it to be more important than the other two.

In introducing Aegisthus only in the second half of the play and in giving him so large a role in the last scene of the play, Aeschylus effectively prepares the way for the next play. It is Clytemnestra who sees clearly that the Greeks will only return safely if they honor the altars and temples of the gods-neither the Herald nor Agamemnon says a word that indicates that they understand that their actions have brought on the storm that destroyed so much of the fleet.

Therefore, when any human rose too high like Agamemnon in this playhe risked being singled out for divine chastisement. Moreover, all the Greek leaders had taken a solemn oath before Helen chose her husband that they would all make war against anyone who took her from him. Most obviously, Aeschylus uses Cassandra to shift our attention and sympathy away from Clytemnestra and toward Agamemnon and the son who will come to avenge him.

Somehow this scene must be played so that their utter powerlessness is clear, making their courage in the last scene of the play even more striking, yet at the same time, the depth of their resolve not to endure tyranny already becomes apparent.

They are ready for death because they know and accept that it is inevitable.

Questioning the Mycenaean Death Mask of Agamemnon

Farewell concept Some thanatologists suggest there is an additional task or "stage" in the process of dying" the process of saying farewell to loved ones and friends.

3 years ago. man is scared of death because he is deeply attached and related to worldly attachments and whenever man thinks of leaving it he or she get scared inspite of knowing the fact from his.

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Jul 01,  · This used to be a subject I handled well, I used to comfort friends who got depressed over such thoughts, but all of a sudden the past month or two I myself can't get it out of my mind.

King Agamemnon is a mythological character from Greek legend, most famously appearing in Homer's "The Illiad," but also found in other source material from Greek mythology.

In the legend, he is the King of Mycenae and the leader of the Greek army in the Trojan War. A Discussion on Why Agamemnon's Death was Inevitable PAGES 2. WORDS More essays like this: oresteia, agamemnons death, greek trilogy. Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University.

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A discussion on why agamemnons death was inevitable
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